Performing Unhappiness [2026]
unfolds as a constructed system of classification and repetition, in which normative categories of gender are produced and reinforced.
As the piece progresses, this system begins to fracture under the weight of its own binary logic, revealing its exclusions and contradictions.
What appears as failure -the inability to fit within the logic of happiness- becomes a central condition of the work.
Bodies that do not conform, voices that slip and meanings that cannot be fully stabilized begin to occupy the space during the piece.
The mechanisms that sustain normative coherence, such as naming, categorizing and assigning value, gradually reveal their instability,
exposing exclusions and contradictions. This failure is presented as a disruption of the system’s expectations and unfolds poetically
as a reflection on how happiness not only defines what is desirable, but also produces negative perceptions of those who do not fit within
its normative framework.
The work reclaims unhappiness not as lack or failure but as a site of resistance and the possibility of alternative modes of being.